Blog

  • New stuff

    New stuff

    The above image is something I did for Kap Kallous awhile ago but I went back and colored it. Been super into Coloring lately. Its actually fun once you stop thinking so much about colors going together. I recently realised that you can just fuck with the hue saturation.

    Brand new album artwork for Heir Jordan. check out the album here.

    New Album cover for one of my friends Bands, though he never told me what they were called. Anyway he's the singer for Twitching Tongues. 

    Sorry I haven't been as active on here. As of late I've been hard at work finishing Rumble Moon, an 8 Page full color short story, and Working on a pitch packet for an awesome new project with my boy Swifty Lang, Creator and writer of Feeding Ground.

    Also heres a sneak peak at the 8 page short story. 

    My inking has gotten alot cleaner, and I've been working like a mad man on my anatomy, penciling, and draftmanship. I cant wait to finish this but its, gonna take a back seat for a month or so. 

    Never give up on your dreams kids! Draw everyday, push your self to the limit, fuck taking breaks, thats what sleep and death is for. Love your supportive girl friend like shes the only one that matters. If your lucky enough to find a woman that will put up with you being at work for 8 hours all day then coming home and drawing for 5 hours and she doesn't complain. You marry her. I plan on wifeing up my wifey. 

  • The Baphomet

    The Baphomet

    This is piece is called "The Baphomet". I'm making about 30 of these for the Philly Punk Rock Flea Market in May. This will be a 4 color silk screen print and once there gone there gone. most likely 18"x24".

    About this piece: I've been fascinated by the baphomet, it is a symbol that sends fear into people much like the numbers 666, (which happen to be my favorite numbers). Theres just something so dreadfully awesome about it. Heres what the normal image looks like. 

    A few artist have tackled this amazing beast and have recreated there own stamps on it. FLorian Bert is my personal fave. check it out. 

    Trully beautiful. So anyway, I really wanted to draw this but i didn't want to just lift the image and do my own rif on it. Having the longing need to draw an owl, I decided I would combine the two Ideas together. It came out fantastic, especially the skulls and floating burning eye balls. 

  • Korgok Is up for Pre-Order!

    Yeah dude comics is releasing my new mini Comic, along with 11 other awesome mini comics, together in a silkscreened box for $20 bucks.  

    Heres all the titles you'll receive when you order the boxset. 

    Heres everyone thats involved.

    11 new 12-20 page, risograph printed, quarter sized mini comics on multi-colored paper, packaged in a screenprinted box. 
    comics include: 
    HOT DESERT FEVER by JOSH BAYER 
    FACE FORCE by IAN HARKER 
    McDONALDS NATIONAL CEMETARY by MICHAEL GERKOVICH 
    INTERGALACTIC GEOGRAPHIC by JOSH BURGGRAF 
    DIABOLIK by PAT AULISIO 
    DAILY ROUTINE by TARA BOOTH 
    SOFTCORE by BOX BROWN 
    KORGOK by SKUDS MCKINLEY 
    THE GOITER by KEENAN MARSHALL KELLER 
    HADAKA by ERINA DAVIDSON 
    ENTERING A ROOM FULL OF PEOPLE by THOMAS TOYE

    Place your orders here.

  • Personal Project

    Personal Project

    Heres some snap shots of the image. I've Been studying two of my favorte artst, Pushead and Frankmiller. Mainly Frank Millers Xerxes piece. 

    I Really dig the way Frank does Jewlery.

  • a look at a new mini i have coming out.

    Heres the cover

    Basically this is going to be a 9 page spread broken up into 9 pages, totally twelve pages in all. sounds super confusing  but youll get it once it comes out. 

    Anyway heres some shitty pictures i took of it. 

  • Rumble Moons Finally coming out.

    Rumble Moons Finally coming out.

    theres the cover to the first issue, which will have 24 never before seen pages of sweaty comics thrill ride.

    Shooting for a march 12th date. Pre-Orders and previews will be up soon.

  • Saturday

    LIstening to Homeboy Sandmans newest album, First of a Living Breed.

    Homeboys a good friend of mine and makes amazing hiphop that just isnt being touched these days. He's like an ecletic Aesop Rock. 

    Anyway... I'm sitting here in bed after a long night of inking, mostly character designs for a few projects coming up. Fun stuff that I hope does not fall through, but if they do I'll at least have a shit ton of stuff to post hahaha. 

    Lately I've been feeling a mix of great and shitty.

    Great because my art work and the jobs im currently involved in look fantastic! I've never felt so free when i sit down at the table to work these days, i feel like a child again, even though im only 23. I feel like the more i dive into my subconscious to touch those memories and inspirations from my child hood, the more i revert back into that state of creation. But its also made me a lil hard to talk to people that aren't artist. 

    Its very egotistical to feel like your above some people, and i dont really feel that i'm above them, i feel like im more awake then they are. Awake as in following my own goals in life, and replacing the robotic parts with organic ones. 

    I work a 9 to 5 monday through friday, then i come home and draw until about 12. thats my whole week. 

    I sometimes wonder what my coworkers do when there not at work. I generally am very interested in it. The thing that bothers me is that I feel like i slave for 8 hours of the day. Well i guess not a slave, more like a parasitic relationship. Since having the job ive been able to afford a car and a cell phone again. I have not been very lucky at keeping money around but im working on it haha. Having a car has made it easier for me to get to conventions and hang out with friends in NY. so theres goods and bads. 

    I guess what I'm saying to aspiring comic book artist or artist in general. Having a day time job sucks but it helps at the same time. Believe me, I tried the unemployed route to work on art gigs, Its cool for awhile but you have to be a real hustler, something that I'm not very good at. I had gigs coming in and i was actively looking but the sensation to create widdles down because your doing art to survive, not doing art to thrive. staying at home all day gets repetitive as hell, and your constantly trying to become inspired. mentally i wasnt ready for such a task of isolation that i dreamed of. 

    spending 8 hours a day, 5 days every week, for some odd reason pushes me to create art. I feel that my time is like running fast so ive got to create as soon as i get home, or i fall behind in my quest. Its nice to be around people, they make you feel things, they make you emotional. those emotions inspire you, they wake something up in you. They make you think. When your in a room by yourself all day, its just boring. This is me speaking from my own experience, I envy those that can do that. Also its good to have multiple streams of income instead of just one streams that fluxuates from overflowing to dried up. 

    Just because you have a job doesnt mean you've given up on your career and goals as an artist, remember that. Count it as another step in getting to those goals. the job helps if your smart about it. save money, save all your art money that comes in, dont spend a fucking dime of it, unless its art related.

    Now check this shit out. 

    Arzak stuff that hast reached the states. Arzak is my all time favorite shit from Moebius. SUCH A HUGE INSPIRATION!!!!!

    Long live the king, Long live Moebius.

    Fin

  • New comic up!!

    go read it here on Tripcity.com

    This collaboration came about a few months back while I was tabling at the AsburyPark Comicon. A show which was kind of a letdown for me, selling wise but a great networking opportunity. I got a chance to really sit down and chat with Dean Haspiel. Deans a great guy and has been helping me break into the New York scene, He introduced me to Hannah Menzies who writes for the comics beat, and Seth Kushner who writes the webcomic Schmuck. After Dean showed Seth my stuff, he asked me if I would illustrate an episode of Schmuck and I said yes.

    This was my first real Artist/writer Collaboration that has actually hit the internet for people to see and I was a bit nervous through the whole ordeal. I dont mind working with other people, i just sometimes psyche myself out thinking that the writer has this perfect image for a page layed out in his head, and when he sees my work he thinks, oh this is nothing like i had envisioned. But that didnt happen and after talking to my friend Erick Freitas, who co writes gamma with Ullises Farinas, he assured me to do my best and that most writers, unless they specify in the script, dont have a clue how the situation looks.

    Working with Seth was really cool, He sent me the script, which was very open art wise, leaving me a huge playing field to work with, and a few times there would be a specific panel referring to somewhere specific in New York, which was totally understandable since this story takes place there. I love drawing New York, its so beautiful and messy, the buildings and streets teem with life and the skies are always filled with clouds. So to really capture my experiences there, I had to really put myself there in thought and envision the way i felt when i was there. Also Images from the internet were used mainly for buildings, other than that i drew people looking very blurried to symbolize that there always in a rush and you never see the same face twice in New York.

    (one of my favorite panels is the top one, i really tried to imagine the scene from Woody Allens Manhattan where they are sitting under the bridge)

    (Also Loved doing these two panels. lots of weird perspective)

    I really took my time with this book and the only reference I used besides google maps was, Brian Woods Newyork 4. Ryan Kelley Does a fucking amazing job drawing New York Buildings, and from time to time i would crack open Paul Popes 100%. I look up to those two Artist inking styles and have learned a wealth of knowledge from studying them. (Never copying though)

    Tools:

    I've completely stopped using Winsor Newton Sable series brushes for inking, except for my big #6 Water color sable for blacking and feathering. There two expensive and there bristles are two soft for the kind of manga line im trying to get down. Ive started to use Princeton Round #2 and #3's. They are cheaper, the bristles are firm and glide across the paper, and there points are great for line work. The only thing that sucks about these brushes is that i go through them very quickly and they do not hold as much ink as a water color sable series holds.

    They look like these

    Ive also switched my ink from Winsor Newton Black India to Black Sumi Gloss ink. I only did this because the shop by my house sells a much bigger bottle. its really great ink and very black, which i adore. Nothing Irks me more than grey fucking ink.

    My Process on this was much slower than I normally work, I really took my time designing the characters and really tried to be Dynamic with each panel. I rally pushed myself to not do boring panels straight on panels, which ive done alot of in the past. i also pushed my self to draw buildings that look like fucking buildings instead of just vertical lines going up, im trying to get better at building a sense of place in my panels and i believe this is the first step in achieving that shit. I tried Inking much slower and tried to tighten up my pencils, and i actually used layouts instead of just doing panels on the fly.

    Anyway I think my work got a lot better doing this collab and I want to thank Dean Haspiel and Seth Kushner for giving me this opportunity. go check it out and tell me what you think.

  • Check out a preview of some new comics coming out from me.

    A collaboration with the fantastic writer, Seth Kushner. I just illustrated his 9th episode in his webcomic anthology "Schmuck", for Tripcity.com. Go Check it out here.

    Here are some panels from the work. 

  • New water color and wash series

    These are some of the new stuff ive been working on. were tryign to figure out a way to make these into really cool limited edition prints but make them super special and high quality. 

    These were done almost as warm ups to me drawing comics everynight. I love wash and have been practicing the technique for months and months and now I'm ready to share that progress with you guys! Might even post a video or something. Anyway stay tuned for when these go up for pre order. 

  • Hey guys Im Not DEAD!!!

    I just have ben busy with a couple things, all drawing related. anyway sorry i havnt posted much last month, but things are going to pick up back to normal this year. HOpe everyone had a great holiday!!!

  • Locust Moon Comics Festival This Sunday

    We Will be at tables 50 and 51 from 11am to 8pm this Sunday at the Rotunda in philly. come out and see me!

  • Frank santoro meets skuds!

    Total apologies to Frank Santoro for calling him Frank Santorum!!, fuckkkkk. 

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